For Spring/Summer 2025, Yuhan Wang delivered a knockout collection at London Fashion Week, titled The Rose Fist . Drawing inspiration from trailblazing female boxers like Laila Ali and Jane Couch, the brand reimagined sportswear through a uniquely feminine lens. Athletic leotards and biker shorts, crafted from Chantilly lace, were paired with corsets adorned with ribbons and numbers, balancing strength with softness. Voluminous silk tops with football-style shoulder pads and lace boxing gloves reinforced the collection's message of merging power and elegance. Yuhan Wang’s references extended beyond boxing, incorporating elements from football, soccer, and baseball. Playful touches, like kitten-graphic crop tops styled with lace-trimmed boxing shorts, added a whimsical flair to the otherwise athletic vibe. A standout influence came from Bolivia's Fighting Cholitas, with voluminous skirts and exaggerated panniers adding bold silhouettes to the runway. Sustainability was a key focus, with repurposed fabrics reconstructed into slip dresses and mini skirts, while 19th-century-inspired court shoes took on a sporty twist. The collection celebrated the duality of fierce determination and delicate femininity, proving that Yuhan Wang continues to push the boundaries of modern womenswear.

Lueder made a striking debut at London Fashion Week Spring/Summer 2025 with its ALBEDO collection, marking a bold return to its British roots under the British Fashion Council’s NEWGEN program. Fresh off a smoke-filled Berlin presentation just two months earlier, Lueder took to the runway with a theatrical edge that has become the brand's signature. This season, the label explored medieval art forms through light and radiation, partnering with French-British artist Thomas P. Grogan to infuse alchemical reactions into its fabric treatments, creating prints and patterns that felt both experimental and otherworldly. The ALBEDO collection brought a medieval fantasy to life, with 30 looks that reimagined historical silhouettes through a futuristic lens. Models stumbled purposefully down the runway before transitioning into abstract dance, a move that mirrored the chaotic yet controlled energy of the collection. From swirling denim panels that looked battle-ready to deconstructed pinstriped shirting, Lueder dismantled traditional fabrics and pieced them back together in ways that felt almost armour-like. The collection’s eco-friendly ethos remained a cornerstone, with distressed leather hoods, coiling bomber jackets, and asymmetrical uniforms stained in gradient finishes, crafting a modern-day suit of armour. In a new turn for the brand, Lueder introduced soft tailoring, offering strong-shouldered blazers and calf-length skirts reminiscent of historical dress, but updated for the modern warrior. It was a collection that blurred the lines between past and future, art and fashion, with Lueder firmly establishing itself as a rising star on the global fashion stage, ready to push the boundaries of contemporary design.

Ahluwalia’s Spring/Summer 2025 collection at London Fashion Week was a powerful meditation on migration and heritage, titled Home Sweet Home . Drawing inspiration from the designer label’s Indian-Nigerian roots and a recent trip to Jamaica, the collection explored the emotional ties to home—both physical and metaphorical. Ahluwalia used deadstock fabrics to create tailored suits, while vintage doilies were upcycled into tops, giving each piece a rich history. With references to Peruvian artist Jorge Eielson’s knotted fabric techniques, garments were pleated and pulled across the body, symbolizing the emotional tug of home. The 31-look collection blended traditional craftsmanship with contemporary design. Soft tones of ecru, browns, and reds were balanced by vibrant blues and greens, while intricate patterns paid homage to the designer’s grandparents’ first home in England. Textures played a central role, with raffia knitwear and beaded co-ords adding depth to the collection. The runway itself was a sensory experience, with Indian and Persian rugs lining the stage and a live soundtrack mixing Afrobeats, Bollywood influences, and the sounds of everyday life. Ahluwalia’s ability to weave cultural storytelling with sustainable design shone through in Home Sweet Home . The collection not only showcased the brand’s expertise in merging global influences but also celebrated the universal theme of belonging, creating a moving and memorable moment at London Fashion Week.

Daniel w. Fletcher’s Spring/Summer 2025 presentation at London Fashion Week took a bold leap into the past while keeping one foot firmly in the future. Known for its ability to blend tradition with modernity, the brand unveiled a collection that felt like a love letter to British style, reimagining iconic 1980s silhouettes through a fresh, contemporary lens. From boardroom-ready tailoring to nautical influences, and even a playful nod to ballroom formality, Daniel w. Fletcher’s SS25 collection was an exploration of timeless elegance with a distinctly modern twist. The presentation celebrated classic British sartorial codes—strong-shouldered, double-breasted suits, gold-buttoned naval jackets, and Savile Row-inspired pinstripes—while injecting a casual, sporty edge. Tailored blazers were paired with athletic-inspired track pants, and naval uniforms were transformed with soft, unexpected fabrics like silk and linen. This interplay of structure and ease gave the collection an air of effortless sophistication, as Daniel w. Fletcher brought together the precision of formal wear with the comfort of everyday fashion. This season’s lineup reflected the brand’s signature approach: honoring the past while pushing the boundaries of contemporary menswear. Daniel w. Fletcher’s SS25 presentation was more than a fashion statement; it was a visual narrative that captured the fluidity of modern masculinity, combining heritage tailoring with an irreverent attitude, and proving that even the most formal traditions can be redefined with a dash of innovation.

Richard Quinn brought his signature flair for drama and romance to London Fashion Week Spring/Summer 2025, transforming The Dorchester Hotel’s grand ballroom into a breath-taking celebration of occasion dressing. Known for his couture-inspired designs, Quinn’s latest collection was a vibrant fusion of mid-century elegance and bold, modern embellishments. The presentation was a visual feast, with towering chandeliers, black carpeting, and lush rose and orchid arrangements setting the stage for his latest creations. The show opened to an orchestral rendition of Evanescence’s Wake Me Up , with supermodel Jourdan Dunn strutting down the runway in a little black dress adorned with crystal latticework and a striking red rose, setting the tone for what would be an unforgettable display of fashion artistry. The collection itself was quintessential Richard Quinn—filled with sweeping gowns, voluminous tulle skirts, and exaggerated florals. Drawing inspiration from the 1940s and 1950s, Quinn added his signature maximalist touch with bursts of colour, bold prints, and lavish embellishments. Standout pieces included a red tulle gown adorned with black bows, a baby pink beaded column dress, and a floral beaded yellow dress paired with a matching coat. Each garment sparkled with sequins, flowers, feathers, and pearls, turning the runway into a kaleidoscope of textures and colours. Quinn’s love for bridalwear also shone through, with an array of gowns for every kind of bride—from a baroque mini dress with big sleeves to a high-waist regency gown and a stunning beaded jumpsuit. As always, the front row was as dazzling as the runway, with celebrities like Kelly Rutherford and Leigh-Anne Pinnock turning heads in Quinn’s designs. The show was not just a celebration of fashion but a testament to Quinn’s ability to evoke emotion through his work. His mastery of craftsmanship, attention to detail, and penchant for drama make him a standout in the fashion world, and this season’s collection further cemented his reputation as the king of London Fashion Week’s most extravagant moments.

London Fashion Week Spring/Summer 2025 was in full swing, and among the many highly anticipated shows, JW Anderson’s collection stood out like a rebellious breath of fresh air. Hosted at the atmospheric Old Billingsgate, with its Victorian architecture and views of Tower Bridge, the location alone set the tone for a show that was anything but conventional. In a space where fish once dominated the scene, today it was Jonathan Anderson’s eponymous brand that took centre stage, reimagining femininity through subversive silhouettes and a materiality-driven approach. Anderson’s interpretation of femininity came through in an unexpected color palette. Saccharine pink sequin minidresses and architectural hemlines on negligee-like dresses dominated the runway, giving girlish hues an edge. The boldness extended to stiff leather skirts—tough, tutu-inspired shapes that veered dangerously close to avant-garde. There was a clear throughline to the brand’s famed accessories here, with the fabrications of JW Anderson’s cult handbags informing the collection’s structural choices. Leather was more than just an accessory—it became the star material, central to Anderson’s vision for the season. Speaking of materials, Anderson’s deep dive into materiality was perhaps the most impressive aspect of this collection. Leather, silk, and cashmere formed the bedrock of the SS25 lineup. The exploration of these fabrics led to a tactile feast, where the unexpected met the familiar in surprising ways. 3D-printed trompe l’oeil effects turned silk minidresses into faux knits, and wool strips were woven into dresses that appeared ready to take flight. These were clothes that demanded a second look, a closer examination to fully grasp their complexity. It was as if each piece held its own little secret—a detail or a fabrication twist that only revealed itself upon careful observation. What was most striking, though, was how the collection balanced this technical prowess with a certain simplicity. "I like this idea of focus," Anderson noted post-show. This season’s looks didn’t rely on excessive embellishments or gimmicks. Instead, Anderson honed in on the power of a few well-chosen materials and allowed the craftsmanship to shine through. A typographic silk print, lifted from Clive Bell’s theory of design, made its way onto minimalist dresses, underscoring Anderson’s cerebral approach to fashion—always balancing between art and wearability. And yet, for all its intellectual underpinnings, the collection didn’t feel aloof or inaccessible. Quite the opposite, in fact. The biker boots—a JW Anderson staple—offered a grounded counterpoint to the high-concept garments. Flat, slouchy, and adorned with an oversized zipper, they were as approachable as they were quirky, perfectly encapsulating Anderson’s knack for making the offbeat feel desirable. These boots, paired with flowing skirts and structured tops, were the ultimate statement of the collection’s overarching theme: setting boundaries to find liberation. It wouldn’t be a JW Anderson show without a buzzworthy accessory, and this season’s standout was undoubtedly the debut of the Loafer Bag. This rectangular shoulder bag, with its menswear-inspired whale-tail penny keeper, was a subtle yet significant statement—another testament to Anderson’s ability to elevate the mundane. With its slightly slouchy silhouette, the Loafer Bag is sure to be a hit, destined to pop up on the arms of fashion’s elite in the coming months. JW Anderson’s SS25 show was, as expected, a masterclass in contradictions. It played with the idea of femininity but twisted it into something more layered, more complex. It explored the boundaries of materials but did so with an eye for simplicity. And, as always, it challenged our expectations of what fashion can be—an exploration, a dialogue, a push and pull between past and future.