John Galliano Autumn/Winter 2018 Gucci Autumn/Winter 2018 Gareth Pugh Spring/Summer 2012 Dior Spring/Summer 2006 Dior Autumn/Winter 2008 Ludovic De Saint Sernin Autumn/Winter 2021 Richard Quinn Autumn/Winter 2018 Rick Owens Autumn/Winter 2019 Comme Des Garcons Spring/Summer 2012 Christian Lacroix Couture Autumn/Winter 2005 Thierry Mugler Spring/Summer 1998 Vivienne Westwood Autumn/Winter 2020 Calvin Klein Spring/Summer 2018 Alexander McQueen Autumn/Winter 2009 Dilara Findikoglu Autumn/Winter 2020 Alexander McQueen Autumn/Winter 2001 Gucci Autumn/Winter 2021 Maison Martin Margiela Spring/Summer 2006 Marc Jacobs Autumn/Winter 2016 Martine Sitbon Spring/Summer 1993 Gareth Pugh Autumn/Winter 2017

While most of us are busy figuring out our Halloween costumes or stressing over Christmas shopping, the fashion world has moved on to its favorite holiday: the Met Gala. Yes, it feels like the last one just happened, but the Met Gala runs on its own calendar—one that’s all about outdoing the year before, with bigger themes and more outrageous outfits. And now, the 2025 theme is official: Superfine: Tailoring Black Style . This year’s theme was announced on October 9, 2024, and it’s all about celebrating Black dandyism—specifically, how Black men’s fashion has shaped style from the 18th century to now. The exhibition takes its cues from Monica L. Miller’s 2009 book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity . Basically, it’s a deep dive into how Black men throughout history have mixed European tailoring with African aesthetics to create something totally unique and deeply influential. The Costume Institute’s spring 2025 exhibition will include garments, paintings, photographs, and more, all tracing the evolution of Black dandyism. And according to Andrew Bolton, the Costume Institute’s curator in charge, this show is a major step toward diversifying the museum’s fashion exhibits. “The Met is committed to making fashion more accessible and inclusive,” Bolton said, noting that Black designers are at the forefront of redefining how we think about identity in fashion. As for who’s co-chairing the gala this year? Pharrell Williams is back—this time alongside Colman Domingo, Lewis Hamilton, and A$AP Rocky, with Anna Wintour holding her usual spot. Oh, and LeBron James will be joining as an honorary co-chair. No big deal, just one of the world’s most famous athletes helping to steer fashion’s most important night. What should you expect on the red carpet? Tailoring will be huge. Think sharp suits, luxurious fabrics, and details that reference everything from Harlem Renaissance style to contemporary Black designers like Grace Wales Bonner and the late Virgil Abloh. If you’re already dreaming of who’ll wear what, imagine Janelle Monáe or Zendaya showing up in an androgynous tux with a modern twist—or maybe Pharrell pulling out something wild from the Louis Vuitton atelier. But beyond just looking great, the theme comes with a political edge. Black dandyism has always been about more than just clothes—it’s a statement about self-expression, resistance, and reclaiming dignity through style. So, don’t be surprised if we see looks that tap into that history and make a bigger point. The exhibition, which opens on May 10 and runs through October 26, 2025, will be the first men-focused show since Men in Skirts in 2003, and it’s already generating buzz for how it tackles race, gender, and fashion. With seven months to go before the big night, the clock is ticking—and everyone’s wondering just how next year’s stars will interpret Superfine: Tailoring Black Style on the world’s most exclusive red carpet.

Miuccia Prada’s Spring/Summer 2025 collection offers an intriguing exploration of contrast and individuality. Alongside co-creative director Raf Simons, Prada reinterpreted the concept of uniforms, infusing them with bright shades of yellow, orange, apple green, and Pepto pink. Circular cutouts and Space Age metallic rings added dimension, creating a blend of retro and forward-thinking design. Layered sheer dresses, polos, and metallic bralettes played against classic silhouettes, bringing an element of surprise without overtly challenging convention. The collection balanced striking details with more understated elements. There were bold pieces like argyle sweaters with metal-adorned skirts and sundresses with exaggerated straps, but also simpler, modular items for more conservative tastes. Accessories, a signature of Prada, featured oversized sunglasses, hybrid visor hats, and metallic belts paired with low-rise looks. The reappearance of tights-as-pants suggested a potential shift in silhouettes, hinting at a change from the dominance of wide-leg trousers. Prada Beauty, under the direction of Lynsey Alexander, took an individualized approach to makeup, creating a variety of looks tailored to each model. Some had their freckles enhanced, others their sun-kissed glow amplified. This attention to individuality mirrored the theme of the collection, with a focus on personal identity in a world often shaped by algorithmic uniformity. A single model with a bold black lip contrasted the otherwise natural tones, providing a subtle but effective contrast. Prada’s SS25 collection reflects the intersection of structure and creativity in the digital age. The designs seem to challenge the increasingly rigid frameworks of modern life by embracing personal expression and unpredictability. Through vibrant colours, unexpected textures, and a mix of both nostalgic and contemporary references, Prada’s vision acknowledges the complexity of the current cultural moment while emphasizing the importance of staying true to individual identity.

The Moschino Spring/Summer 2025 collection, under the direction of Adrian Appiolaza, marked a pivotal moment in his tenure at the Italian house. Though it’s technically his third runway show, this collection is perhaps his most defined take on Moschino’s women’s wear. Appiolaza stepped into the role last year and has steadily evolved the brand, staying true to its playful DNA while bringing his own perspective to the forefront. For this season, he played with everyday objects, transforming the mundane into imaginative and quirky fashion moments. Dubbed "Piece of Sheet," the collection leaned into nostalgia, reinterpreting familiar household items as whimsical fashion statements. The show’s setting, a vast room draped in oversized white sheets, immediately evoked memories of childhood laundry days but with a grander, more theatrical twist. This theme of exaggeration continued throughout the collection, from billowing silhouettes to accessories that turned everyday items, like a bleach bottle, into fashion-forward pieces. Model Alex Consani embodied this playful spirit, carrying a bleach bottle handbag while donning a white dress inspired by the same household item. Appiolaza’s approach has diverged from that of his predecessor, Jeremy Scott, known for his outlandish and bold designs. Instead, Appiolaza is making Moschino more wearable without sacrificing its wit and humour. He revisited the archives of Franco Moschino, drawing from personal childhood sketches to create a nostalgic yet modern collection. This blend of whimsical nostalgia and contemporary tailoring was most evident in pieces like a classic black sheath dress reimagined with printed silk housecoats, and a clever play on words with the slogan "TUBINO OR NOT TUBINO" on a white dress. The collection wasn’t without its edge. Deconstructed flannel suits added a punk touch, while accessories such as mismatched polka dot gloves and bold prints brought a rebellious flair. Appiolaza’s Moschino continues to balance the fine line between high fashion and everyday wear, proving that even the most ordinary objects can be elevated to extraordinary status with a touch of creativity.

Max Mara's Spring/Summer 2025 runway at Milan Fashion Week delivered a refined vision of precision and elegance, shaped by creative director Ian Griffiths’ intellectual approach. Drawing inspiration from Hypatia of Alexandria, the 4th-century mathematician, Griffiths explored the intersection of fashion and geometry, infusing the collection with scientific rigor while maintaining Max Mara’s hallmark of effortless luxury. This season’s offering perfectly balanced tradition and innovation, creating a wardrobe that resonated with modern sophistication. Tailoring was at the core of this collection, with a particular focus on darts—traditionally hidden but now boldly displayed to emphasize structure and form. Griffiths transformed these small, angular cuts into the defining element of the season, creating architectural silhouettes that felt fresh and dynamic. Sharp, triangular folds shaped waists and shoulders, drawing attention to the craftsmanship behind each piece. This attention to geometric detail extended into the collection's signature trench coats and blazers, offering a contemporary twist on classic staples without losing their timeless appeal. The collection’s geometric influences were further highlighted through innovative cut-outs and sculpted shapes that moved gracefully with the wearer. One standout design was a ribbed-knit dress with parabolic arcs curving across the body, framing strategic cut-outs that flickered like encoded messages with each step. The colour palette was equally striking, drawing on the elements of a scientific laboratory—crystalline whites, deep blues, and metallic silvers—to give the collection a cool, refined aesthetic. With its fusion of form and function, this season from Max Mara embraced the elegance of precision in a way that felt both intellectual and deeply wearable.

Gucci’s Spring/Summer 2025 show at Milan Fashion Week transported the audience into a world of laid-back luxury, where nostalgia met modernity. Set against the backdrop of the Triennale Milano, creative director Sabato De Sarno drew inspiration from fleeting moments, like the sun setting on an August day. His latest collection reflected a balance between ease and elegance, continuing his refined vision for Gucci—luxurious, but grounded in everyday wearability. Tailoring was a key focus of the collection, with low-slung trousers and structured jackets blending masculine and feminine elements. The color palette was reminiscent of a fading summer sunset, moving from soft grays and greens to deep reds and vibrant orange. De Sarno’s 1960s influences were clear in the sleek, A-line skirts and grand coats, while sheer lace dresses added an element of seduction to the polished looks, striking the perfect balance between sophistication and sensuality. Gucci’s iconic heritage was ever-present, particularly through accessories. The Gucci Bamboo 1947 bag was reinterpreted with modern details, including a special collaboration with Japanese artists. Bamboo also inspired the jewellery, with sculptural bracelets and chokers weaving around the models’ arms and necks. De Sarno debuted the new Gucci Go bag, a compact and structured piece, while the Horsebit motif evolved across shoes, appearing on everything from classic loafers to platforms and ankle boots. Throughout the show, De Sarno stayed true to his concept of “casual grandeur”—luxury that feels effortless yet polished. From glossy leather jackets and mini-shorts to shimmering evening coats with matching beaded bags, the collection captured the tension between Gucci’s iconic past and a modern, wearable future. With just over a year at Gucci, De Sarno is clearly carving out a distinct path for the brand, one that is as timeless as it is forward-thinking.