This November, Outernet London and Tate team up to showcase an exciting blend of art and music, featuring two new works by Palestinian-American artist Samia Halaby and an original soundscape by electronic musician Four Tet . The installation, free to view at Outernet’s Now Building , runs from 14 November 2024 to 31 March 2025 and offers a fresh way to experience Halaby’s kinetic art, presented on the venue’s massive wraparound screens. The collaboration marks the lead-up to Tate Modern’s Electric Dreams: Art and Technology Before the Internet , a major exhibition opening later this month. Halaby, whose work is included in the show, is widely recognised as an early adopter of digital techniques in art. This project brings her pioneering vision into the modern age, providing a space where visitors can immerse themselves in her innovative use of movement, colour, and sound. Halaby’s art goes beyond traditional painting, exploring the possibilities of movement and technology. Her “kinetic paintings,” a term she uses to describe her animated geometric works, bring shifting shapes and vibrant colours to life. At Outernet London, two newly commissioned pieces, Tottenham Court Road 2024 and After the Green and After the Black Dune 2024 , take full advantage of the venue’s advanced screens to create a lively, immersive environment. These works are joined by Brass Women 1995/2019 , a reimagined piece from Halaby’s Kinetic Painting Group series. Originally created using coding techniques she taught herself on the Commodore Amiga 1000, one of the first widely available personal computers, these works highlight Halaby’s early embrace of technology as both a subject and a tool in her art. To complement Halaby’s moving compositions, the London-based electronic artist Four Tet (Kieran Hebden) has created a textured, experimental soundtrack. Known for blending diverse genres, Hebden’s work enhances the visual dynamism of Halaby’s pieces, creating a multisensory experience for visitors. Sound has long been a key part of Halaby’s practice, with previous collaborations spanning both acoustic and electronic music. This latest partnership reflects her interest in creating works that evolve in time and interact with their environment. Outernet London’s cutting-edge screens, some of the largest of their kind, provide the perfect platform for Halaby’s kinetic art. The space allows her works to be experienced in a new way, moving beyond traditional gallery settings to embrace a more immersive format. This project also highlights the broader cultural mission of Outernet, which seeks to redefine how audiences engage with art and media through technology. For Halaby, this collaboration aligns with her ongoing exploration of digital tools as a means of expanding the language of painting. Halaby’s installation is part of the lead-up to Tate Modern’s Electric Dreams exhibition , opening on 28 November 2024 . The exhibition features over 70 artists from across Asia, Europe, and the Americas, showcasing works that explore the relationship between art and technology during the pre-internet era. From early experiments with video synthesisers to art created with home computers, the show offers an in-depth look at how technology shaped creative practices in the mid-20th century. Plan Your Visit Samia Halaby’s works will be displayed at The Now Building , next to Tottenham Court Road Station, until 31 March 2025. The installation is free to visit, making it an accessible cultural highlight in central London. Outernet London and Tate Present: Samia Halaby for Electric Dreams 📍 The Now Building, Charing Cross Road 📅 14 November 2024 – 31 March 2025 🎟️ Free Entry For updates, follow @outernetglobal, @tate, and @samiahalaby on Instagram. Whether you’re a long-time admirer of Halaby’s work or simply curious to explore the interplay between art, sound, and technology, this installation is an engaging way to experience a unique artistic vision.

Marble Arch has long been viewed as a bit of a conundrum for Londoners—an architectural landmark that’s often dismissed as an eyesore and a crowded tourist magnet. From hosting temporary installations like The Mound in 2022 to sporadic displays of eclectic wonders, Marble Arch has never quite found a lasting cultural purpose. Yet this summer, the area welcomed a fresh addition: Moco Museum, a new interactive art venue promising a cutting-edge collection of celebrity-status artists. Positioned amidst the familiar hustle and bustle, Moco Museum at Marble Arch introduces a curated art experience that combines the renowned with the unconventional. Big names like Jeff Koons, Daniel Arsham, Jean-Michel Basquiat, and even Picasso are showcased here, wrapped in an immersive format designed to catch the eye of both art newcomers and enthusiasts alike. The museum’s digital presence teases at a multi-sensory journey through contemporary and classic art, with “immersive” splashed across their promotions—a term that's bound to stir up curiosity. Upon entering, visitors encounter a modest collection from Jeff Koons, starting with his playful ‘Dolphin Taz Trashcan’ suspended from the ceiling, alongside his signature ‘Balloon Venus Dolni Vestonice’ in vivid purple. Here, the range of visitor reactions becomes immediately apparent. Some art aficionados express disappointment, remarking on the lack of cohesion or interest, while families and younger visitors seem captivated by these popular works, engaging with them as some of their first experiences of iconic artists. Other prominent pieces on the ground floor include Daniel Arsham’s Porsche sculpture from the “Eroded Cars” collection—a work that previously enjoyed a free exhibition space in Selfridges as part of Arsham's collaboration with Dior. The museum also features a selection of Basquiat’s work, which offers more depth and context than some of the other pieces, alongside a discreetly displayed Picasso painting near an emergency exit—an odd placement for such a notable name. Descending into the museum’s basement, visitors encounter a line-up of multisensory installations, including a striking piece by Arsham, the Lunar Garden . In an otherwise empty room, the installation offers a serene experience, encouraging contemplation. The basement also features the requisite “infinite mirror” room, although this one proved more finite than expected, with cramped space, scuffed surfaces, and visitors crowding the floor. Nearby, an NFT room offered a nostalgic nod to the early digital art boom, but in late 2024, it feels more like a relic of a bygone trend. Rounding out the basement’s offerings are a few digital pieces and a quirky arcade area that adds a playful touch. The tour culminates upstairs, where visitors are met with a wall displaying artworks by none other than Robbie Williams. Known more for his music career, Williams brings a different energy here, his pieces offering a satirical take on fame and self-expression. Nearby, Banksy’s works make an appearance, along with a Kaws sculpture and a collection by Marina Abramovich focused on crystals and themes of personal energy. Takashi Murakami’s vibrant mural, occupying an entire wall, adds a punch of colour and is perhaps the most memorable display in the museum. For all its impressive pieces, Moco Museum doesn’t quite escape scrutiny. The ticket price—over £20 per adult—feels steep, especially for works that have previously been displayed free of charge around London. Despite its array of high-profile artists, the curation lacks a cohesive theme or narrative, instead opting for an assortment of familiar names that don’t always connect seamlessly. In this sense, Moco feels like yet another venture into the “Instagrammable museum” trend, geared toward generating buzz around the brand rather than offering a genuinely immersive artistic journey. Ultimately, Moco Museum brings a new dynamic to Marble Arch, giving visitors an opportunity to experience big-name art in an interactive setting. It may not be a transformative addition, but it succeeds in adding another layer of intrigue to the ever-divisive Marble Arch area. Overall, the experience felt like an expensive tourist trap which could easily be avoided by a visit to a gallery like the Tate Modern.

This November, some of the most influential figures in music will come together to celebrate the power of art in mental health support. The event, an exclusive charity auction titled Unseen, will be hosted by Mental Aid, a new charity dedicated to aiding individuals affected by acute mental health challenges. Featuring personal and rare photographs by artists like Nick Cave, members of Arctic Monkeys, Blondie, and many more, this event promises an unparalleled glimpse into the private worlds of legendary musicians. Thunderbird at CBG by Chris Stein Unseen will debut at the renowned Iconic Images Gallery on November 28. Known as the UK’s premier space for music photography, Iconic Images Gallery boasts an archive of rare images of everyone from David Bowie to Audrey Hepburn, making it a historical and vibrant backdrop for this unique charity initiative. Curated in part by acclaimed photographer Tony McGee, the collection spans intimate portraits of bandmates, reflective landscapes, and candid snapshots capturing quiet moments on tour. Art and music enthusiasts alike will be able to place bids on original prints, many of which have never been available to the public. Proceeds will go entirely to Mental Aid’s ongoing programs, which aim to bridge the gap between those struggling with mental health issues and the rest of society by offering work experience, volunteer opportunities, and support. Waiting by Neil Tennant, Petshop Boys The foundation of Mental Aid is a personal and heartfelt initiative led by two father-and-son duos, including Tony McGee, who has photographed legends such as David Bowie and Kate Moss. Inspired by a photograph Bowie himself took of McGee during a 1984 shoot, McGee sees Unseen as more than an exhibit; it’s a testament to creativity as a healing process. "Every artist has a story to tell, and a photograph is often the best way to tell it," says McGee. “This initiative is about encouraging creativity as a form of healing and raising awareness around mental illness.” Alongside McGee and his son Max, the charity was co-founded by Michael Goodall and his son Joe, both of whom bring years of experience and a shared dedication to supporting individuals affected by mental illness. Mental Aid’s purpose is not only to empower individuals through creativity but also to offer practical support, bridging the gap for those often overlooked due to mental health stigmas. Untitled by Matt Helders In addition to Nick Cave, the exhibition will feature works by icons such as Mick Fleetwood, Neil Tennant of the Pet Shop Boys, Noel Gallagher, and Joan Armatrading. Attendees can expect to see an eclectic mix of visual perspectives, from a snapshot of Mick Jagger during a quiet moment to serene landscapes taken during early morning hours. Every image tells its own story, offering an intimate view into the lives of these artists and the solace they find in capturing moments through photography. While the event is private, the exhibition will be accessible for public bidding online starting November 28. In doing so, Mental Aid extends the opportunity for everyone to own a piece of music history while supporting a cause that transforms lives. For collectors, fans, and supporters of mental health, Unseen is an event that underscores the connection between artistic expression and emotional well-being, blending the power of imagery with the passion for change.

It’s hard to believe that we just marked the 2 year anniversary since the late Queen’s death back in 2020, and to commemorate this passage of time we are presented with a collector’s edition treasury of quotations by the late Queen titled ‘’Enduring Wisdom: Words of Hope and Inspiration by Her Majesty Queen Elizabeth II’’ . The book includes official portraits of the Queen from each decade of her reign, and the quotations highlight the values that were close to her heart - courage, empathy, forgiveness, hope, humility, love and respect. This anthology pays tribute to a world leader whose grace and wisdom will never die. Queen Elizabeth II was queen regnant of 32 sovereign states during her lifetime and remained the monarch of 15 realms by the time of her death. She was also Patron of more than 600 organisations and charities. Loved and admired throughout her long lifetime, Her late Majesty Queen Elizabeth II touched the lives of millions - not least through the speeches that she broadcast to the world each Christmas during her seventy years on the throne. With over 80 inspiring quotations selected from the late Queen’s beloved Christmas speeches, and interspersed with stunning and memorable portraits, Enduring Wisdom gives intimate insight into the values that Her Majesty held most dear to her heart, including courage, love, strength, and hope for tomorrow, which are all most pertinent in these turbulent times. You can find a hardcover copy on Amazon.co.uk

At Frieze London this year, Marco Capaldo steps beyond the runway to curate his first-ever exhibition, Memories of the Future , held at No. 9 Cork Street. The creative director of British luxury brand 16Arlington is known for his sophisticated approach to fashion, but here, he explores a different kind of aesthetic expression: the evolving, elusive nature of memory. Curated in collaboration with the international gallery Almine Rech, Memories of the Future brings together 14 artists working across a spectrum of mediums. From the polaroids of Andy Warhol to the tactile sculptures of Jesse Pollock, the exhibition highlights Capaldo’s profound connection to contemporary art and showcases his eye for the unexpected. With a lineup that includes emerging UK-based talents such as Rhea Dillon, Henry Curchod, and Remi Ajani, alongside established figures like Warhol and John Giorno, the exhibition is a seamless blend of the iconic and the new. Capaldo's personal investment in the theme is palpable. The exhibition concept, inspired by a piece Rafael Pavarotti penned for Vogue Italia in 2021, reflects on memory’s fluidity—how it isn’t locked in the past but continually reshapes our present and future. "Polaroids capture a moment in time, but in their blurriness, they also embody the nature of memories themselves," Capaldo explains, pointing to Warhol's polaroids as a poignant part of the show. The exhibition opens with two studies of orchids—a deeply personal tribute to Capaldo’s late partner, Kikka Cavenati, who shared a deep admiration for Warhol. Beyond the Warhols, visitors can experience a variety of works that challenge conventional representations of memory. Francesca Woodman’s haunting photography evokes a dreamlike quality, while John Giorno’s seminal installation, Dial-A-Poem , invites audiences into an interactive, spoken-word experience. The inclusion of Jesse Pollock’s towering sculptures—also featured in 16Arlington’s recent SS25 collection—further blurs the lines between fashion and art, merging the sensory with the conceptual. For Capaldo, curating Memories of the Future offered a shift from the fast-paced world of seasonal fashion collections. The year-long process allowed him to connect with the art world more deeply, forming relationships with the artists involved. "I’ve always loved beautiful things,” he says. “It’s amazing to see the world through their eyes and how they channel their emotional connection into their work." This interplay of personal memory, artistic interpretation, and fashion sensibility makes Memories of the Future more than just an exhibition—it’s a reflection of Capaldo’s broader creative vision. Just as he brings the avant-garde to the forefront of British luxury fashion, here, he does the same for contemporary art. With Memories of the Future , Capaldo invites us all to reconsider the role of memory in shaping who we are—and who we might become. Memories of the Future runs until October 19, 2024, at Frieze No. 9 Cork Street, London.

Frieze London 2024 is poised to once again be the highlight of the international art calendar, attracting collectors, curators, and culture aficionados from around the world. With its celebrated mix of contemporary and modern art, Frieze has become a destination where the cutting-edge meets the iconic, showcasing works from both emerging artists and household names. The fair has an undeniable influence on the global art market, setting trends and elevating fresh talent, while offering an unrivalled platform for established galleries to present their most coveted pieces. In this article, we’ve curated a selection of must-see works from this year’s fair. Whether you're a seasoned collector or simply looking to immerse yourself in the vibrant art scene, these standout pieces are sure to captivate. From bold installations that push boundaries to intimate works with subtle storytelling, Frieze London 2024 promises an exciting and diverse experience, and we’re here to guide you through the very best it has to offer. Artist Award: Lawrence Lek London-based artist and filmmaker Lawrence Lek has been named the recipient of the 2024 Artist Award at Frieze London. In partnership with Forma, the award provides early- and mid-career artists with the opportunity to realize ambitious new commissions. Lek is known for his work exploring the moral dilemmas and creative possibilities of artificial intelligence, often infusing his digital world-building with dark humor and absurdist narratives. His 2024 work Empty Rider , for example, features the televised trial of a self-driving car after a botched kidnapping. For this year’s Artist Award commission, Lek has created Guanyin: Confessions of a Former Carebot , a multimedia installation that invites players into a meditative gaming environment where they uncover the story of a cyborg therapist developed to counsel other AIs out of existential crises. Born in Frankfurt and of Malaysian-Chinese heritage, Lek's work reflects global complexities—both real and virtual—through immersive narrative experiences. In Guanyin , players follow the titular carebot, named after the Buddhist goddess of mercy, as she examines Vanguard, the self-driving car from Empty Rider . The project draws inspiration from "walking simulators," video games focused on exploration and storytelling, with Guanyin’s voice guiding players through journal entries, corporate reports, and messages. This thoughtful and innovative work, selected by a jury of art professionals, continues Lek's exploration of AI’s emotional and social impact while pushing the boundaries of digital art at Frieze London 2024. Frieze Masters Donald Locke - Stand S18 Donald Locke (1930–2010) was a pioneering Guyanese artist whose interdisciplinary work spanned painting, sculpture, and ceramics, exploring the legacies of colonialism and racialization. At Frieze London 2024, Locke’s evocative Plantation Series will be on display, a body of work that remains as relevant today as it was when he first created it in the 1970s. These abstract pieces, composed of monochromatic grids, are powerful reflections on the plantation system's oppressive structures and Britain’s colonial legacy. This is a rare opportunity to experience Locke’s work first-hand, and a must-see for those interested in art that challenges historical narratives. Isabella Ducrot - Booth G07 Textiles and paper are the cornerstones of Isabella Ducrot’s practice. The former, worn directly on the skin, indicates intimacy and touch; the latter can contain and protect, as well as convey ideas, whether written or graphic. In both weaving and writing, pattern and repetition can give rise to unique expressions. From her extensive travels over four decades to many countries including Afghanistan, Iran, India, Russia, Tunisia, Turkey and Tibet, Ducrot has gathered a unique collection of textiles and paper dating from the 9th to the 20th centuries. She also holds a significant collection of baroque paintings. Though the artist herself only began painting (and writing) relatively late in life, motifs and elements from these collections now make their way into her work, at times glued, stitched directly or painted on to the image ground. Frieze London Ji Xin - Booth C20 Ji Xin (b. 1988), based in Hangzhou and Shanghai, creates large-scale portraits of ethereal women that blend Eastern and Western classical aesthetics. His imposing canvases, often featuring life-size figures with elongated limbs and oversized eyes, are set against elegant Art Deco interiors. Drawing on influences from the Italian Renaissance and Song dynasty painting, Ji’s serene, pastel-toned works explore themes of self-reflection and poetic contemplation. At Frieze London 2024, his tranquil, introspective pieces offer viewers a chance to engage deeply with the enigmatic figures and timeless grace they embody. Hew Locke - Booth C20 Hew Locke (b. 1959, Edinburgh) spent his early years in Guyana before returning to the UK, where he developed a distinctive practice that explores the symbols of power, colonialism, and cultural identity. His work draws from a wide range of sources, including royal portraiture, military history, and public statuary, often fusing his Caribbean and British heritage into multi-layered, politically charged pieces. By blending modern materials with historical references, Locke's works challenge viewers to rethink the cultural and societal symbols that shape our understanding of the world today. At Frieze London 2024, his witty and complex pieces offer a thought-provoking exploration of the legacies of empire and power. Dr. Esther Mahlangu - Booth C20 Dr. Esther Mahlangu is a trailblazer in the world of contemporary art, renowned for her vibrant, geometric abstract paintings rooted in the Ndebele tradition of South Africa. Her work has transcended its origins, taking traditional house-painting patterns and applying them to canvases, sculptures, and even automobiles, as seen in her collaboration with BMW. For over seven decades, Mahlangu has worked to preserve and innovate Ndebele art, blending cultural heritage with contemporary techniques. Her bold designs have captivated global audiences, earning her recognition from art collectors and celebrities alike. At Frieze London 2024, her vivid creations continue to bridge cultural history and modernity. Tom Wesselmann - Booth C20 Tom Wesselmann (1931–2004) was a leading figure in the Pop Art movement, known for his provocative and iconic depictions of everyday consumer culture and the female form. His early works in the 1960s incorporated collages of advertisements and magazine imagery, while his later series, such as Great American Nudes and Standing Still Life, explored sexual imagery and bold compositions on shaped canvases. Wesselmann’s art evolved throughout his career, culminating in his Sunset Nude series, which referenced the work of artists like Henri Matisse. His distinctive style and playful approach to form will be on full display at Frieze London 2024, inviting viewers into a colourful, bold world of Pop Art. Polly Apfelbaum - Booth C08 Polly Apfelbaum’s Red and White Potential (2023) at Frieze London highlights her signature exploration of color, texture, and feminist themes through new wall-mounted ceramics and a woven floor-based installation. The space features red and white striped walls, complemented by a handwoven rug made in Oaxaca, Mexico by Zapotec artisans, using traditional dyes. The rug’s imagery, taken from Apfelbaum’s The Potential of Women series, reflects her ongoing critique of gender inequality, drawing inspiration from a 1963 symposium that imagined a future for women while overlooking the real struggles of 1960s feminism. This installation beautifully merges craft, color, and concept. Shilpa Gupta - Booth C08 Shilpa Gupta’s Untitled (2023) explores the fluidity of time and the boundaries it imposes on both personal and political landscapes. Using the hourglass as a central motif, Gupta questions whether time should be rigidly divided into minutes and seconds, inviting viewers to consider the unconscious and imaginative realms where time blurs and definitions dissolve. Through this contemplative piece, she highlights how power and societal structures shape our psychological borders. At Frieze London 2024, Gupta’s work challenges us to rethink the ways in which we measure both the visible and invisible moments of life. Tacita Dean - Booth C08 Tacita Dean’s Depressed Painter (2024) is a poignant work on glass, created on a Victorian-era steam train window once owned by her late father. The piece, inspired by a Caspar David Friedrich drawing of a painter waiting for inspiration, features a canvas that acts as a mirror, reflecting the viewer back into the scene. Collaborating with a German glass foundry, Dean used layers of fired enamel to create a permanent drawing on the weathered glass. This work, to be shown at Frieze London 2024, exemplifies Dean’s deep engagement with drawing and its spontaneous, chance-based possibilities.