Central Saint Martins has long been the incubator of some of the most daring, boundary-pushing talent in fashion — a place where tradition meets radical creativity and where voices from around the world converge to redefine style. This year’s graduating designers continue that legacy, each weaving their unique stories and cultural identities into collections that challenge norms, spark conversation, and remind us why CSM remains the heartbeat of fashion innovation.
Phoebe Bor
Phoebe Bor’s untitled collection is a tactile meditation on the South African bush where she grew up, folding feathers, grass, and eucalyptus into wearable tributes to the quiet intelligence of the natural world. Her pieces don’t just evoke nests and furs – they’re constructed through a kind of ecological choreography, where hand-bound mohair and resin-coated leaves become tools of both storytelling and survival.
@phoebebor
Seoyoun Shin
Seoyoun Shin’s collection, “I (still) want to be with you,” transforms memory into graphics, assembling intimate objects from her personal life into wearable visual metaphors. From a pleated skirt shaped like stacked magazines to garments that look like furniture sketches come alive, she turns nostalgia into geometry with quietly arresting results.
@seenseo
Dieter Vlasich
Dieter Vlasich’s deeply personal collection is a decolonial dialogue, created in collaboration with Mayan women artisans in Mexico and grown—literally—from seed. With natural dyes, geometric silhouettes, and slow storytelling techniques, his work challenges Western timelines and invites a more ancestral, relational way of dressing.
@dietervlasich
Hannah Dixey
Hannah Dixey’s “ALL I WANT IS A MORTGAGE” is as much about yearning for stability as it is about childhood make-believe, turning her rented flat and vintage trinkets into a stage for oversized doll clothes with emotional heft. Think laser-cut pony buttons, felted nostalgia, and prints lifted straight from the lived-in chaos of adulthood.
@hannahdixey
Hannah Smith
Hannah Smith’s “The Gentle Frame” is a romantic, radical reframing of disability in fashion – a tribute to the elegance of difference and the poetics of the body. Wrought-iron gates become sheer embroidery, medical aids are reimagined as couture accessories, and vulnerability is rendered in fringe-cut leather and organza.
@hannahsmi.h
Haseeb Hassan
Haseeb Hassan’s “Fragmented Threads” is a cultural remix rooted in diasporic tension, where Madame Grès meets the streets of Lahore and London in a masterful negotiation of belonging. His patchworked cottons, laser-engraved leathers, and sharp tailoring reframe tradition with both reverence and rebellion.
@haseeb.hassan__
Isaac Lizarraga Curiel
Isaac Lizarraga Curiel’s “Tails!” is fashion seen through a dog’s dreamy filter – a kind of pet couture for people who want to dress like joy feels. With zero-waste techniques and materials like shredded bedsheets and fringe yarns, he gives us a collection that’s equal parts historical pageant, theatre kid, and four-legged fantasy.
@isaac.lizarraga
Jada Tudor
Jada’s collection, Bidrohinī (The Rebel), explores her dual British-Bengali identity through the history and culture of the hijra community, blending colonial and South Asian influences. She uses metal, reclaimed materials, and symbolic motifs to reflect themes of visibility, erasure, and reclamation.
@jadaatudor
Minjoo Jade Kim
Minjoo’s We Wear What We Wear addresses fashion conformity and labor ethics in South Korea’s garment industry, focusing on the human cost behind mass production. She works with transparent fabrics and innovative pattern cutting to express both repetition and individuality.
@ifitmeansyou
Joe Fearon
Joe’s Nowt So Queer as Folk collection channels British folklore through a queer lens, combining ritualistic imagery with fetish culture and folk horror influences. Using a mix of traditional and unconventional materials, the collection creates a tension between the eerie and celebratory.
@jxefearon
Linus Stueben
Linus’s CRUMBLING UNDER PRESSURE captures the overwhelming stress of modern life with humor and absurdity, symbolized through tactile wool garments and unconventional materials like metal hair clips. The collection reflects the tension between constraint and freedom.
@linusstueben
Luke Hemingway
Luke’s Dream Ceremony explores Northern subculture and nostalgia through garments made with friends and local artisans, blending performance and regional identity. His use of deadstock fabrics and collaborations roots the collection in community and storytelling.
@lukehemingway_
Marie Schulze
Marie’s collection reflects her experience observing powerful women in German politics, reinterpreting masculine tailoring with feminine fabrics to create a quiet assertion of female dominance. She uses satin, silk, and pattern manipulation to challenge formalwear archetypes.
@mariesssschulze
Myah Hasbany
Myah’s Aurora, Texas imagines a town transformed by a UFO cover-up, blending 1950s Americana with otherworldly, off-kilter designs. The collection celebrates body diversity with detailed hand embroidery and textile manipulation, offering glamour to underrepresented sizes.
@myahhasbany
Rose Seekings
Rose’s collection captures the joy and fragility of British seaside holidays through sculptural knitwear inspired by kites. She experiments with wire, paper, and partial knitting to create collapsible, textured silhouettes that float between garment and installation.
@roseseekiings
Yuura Asano
Yuura Asano explores the fragile threshold of adolescence where girlhood begins to shift toward womanhood, drawing on historical feminine silhouettes filtered through youthful imagination. Using natural fibers and expressive screen-printed marks, the collection reimagines traditional womenswear through a lens of innocence and hope.
@yuura.a
Andy Pomarico
Andy Pomarico channels their experience as an autistic, queer outsider into a rebellious, maximalist collection that embraces discomfort and celebrates what doesn’t fit in. Combining secondhand materials into sculptural, oversized forms, the work is both chaotic and performative, challenging traditional fashion norms.
@andy.pomarico
Ayham Hassan Musleh
Ayham Hassan Musleh confronts the harsh realities of Palestinian occupation through a collection rooted in ancestral craft and resistance. Using traditional textiles and innovative techniques, the collection honors cultural identity and embodies hope amid struggle.
@ayham_hassan_99
Daisy Knight
Daisy Knight draws inspiration from her mother’s strength in a small-town salon to celebrate women in STEM through textured, hand-knit garments that capture femininity and movement. The collection uses innovative knitwear techniques to embody fluidity, power, and self-expression.
@Daisyannaknight
HongJi Yan
HongJi Yan reflects on the paradox of gig workers’ hyper-visibility and social invisibility through layered, translucent materials and digital camouflage. The collection uses reflective and fluorescent elements to highlight the tension between presence and erasure in modern urban life.
@hongji_yan__
Isobel Dickens
Isobel Dickens channels nostalgia and memory from her coastal childhood into tactile garments made from pipecleaners and cardboard prints. Her work explores absence and connection through handcrafted textures evoking impermanence and personal history.
@_isobeldickens
Lucas Louis Lidy
Lucas Louis Lidy reimagines rural queer identity by blending agricultural heritage with refined silhouettes, challenging urban-centric LGBTQIA+ narratives. His use of natural fibres and traditional patterns creates a tactile manifesto celebrating rural queer life.
@3l_lidy
Megan Alloh
